I spent a fantastic week on one of Jonathan Critchley's landscape photography workshops in Guilin province of China. Unfortuantely despite getting up around 4 am every day for sunrise we never actually saw the sun! This shot was taken on the Li River. More images on www.seelifethroughthelens.com
Tuesday 11 May 2010
Monday 10 May 2010
New beginnings
It's been over 2 years since I used this blog and boy so much has changed. I am no longer working in recruitment and have set up a business offering landscpae and underwater photography workshops to people looking to learn how to create stunning landscape images. Check my website out http://www.seelifethroughthelens.com/
Wednesday 30 April 2008
Wednesday 9 April 2008
WOW - the most amazing discovery, Wide angle MACRO!!
Well ok, not a discovery in the sense of I've come across something no one else knows about, more a case of understanding the equipment and the effect that has!
Whilst in Cebu chatting to Shannon Conway about photographing the Weedy and Leafy Seadragons I asked what lens to use, (these animals are about 45 cm long so both a 60mm and 100mm macro wont be able to get them full frame and still be close enough to photograph the beautiful detail these creatures have) he told me he uses a wide angle lens with a diopter on.
I for some reason (am gonna blame the San Miguel Lights ;o)) decided that this meant the diopter magnified the subject making it fill more of the wide angle frame... Oh how wrong I was!!
After a discussion on www.digigreen.net I started to understand, the primary reason for using a diopter on a wide angle lens is infact to allow you to get CLOSER to the subject enabling you to fill the frame that way
DOH!
So I had a bit of practice last night (excuse the shadows, I was unable to use the camera's flash as it was reflecting too much on the page!) here are the results...
No diopter, 22mm
+ 2 Diopter, 22mm
+ 4 Diopter, 22mm
And even more obvious how close I can get:
No Diopter, 10mm
+ 2 Diopter, 10mm
+ 4 Diopter, 10mm
This is basically allowing me to focus on soemthing about 4cm away from the end of the lens... By the time the camera is in it's housing that *should* mean I can almost touch a subject with the port and still focus.... Great news!... Only there is another problem to overcome first - for some reason I'm struggling to focus on subjects that close when underwater, now I have the diopters and the practise the next step is getting in the water and seeing if I can achieve the same results
Please note the image I used was a photo in Martin Edge's book: www.edgeunderwaterphotography.co.uk/pages/myBook
Whilst in Cebu chatting to Shannon Conway about photographing the Weedy and Leafy Seadragons I asked what lens to use, (these animals are about 45 cm long so both a 60mm and 100mm macro wont be able to get them full frame and still be close enough to photograph the beautiful detail these creatures have) he told me he uses a wide angle lens with a diopter on.
I for some reason (am gonna blame the San Miguel Lights ;o)) decided that this meant the diopter magnified the subject making it fill more of the wide angle frame... Oh how wrong I was!!
After a discussion on www.digigreen.net I started to understand, the primary reason for using a diopter on a wide angle lens is infact to allow you to get CLOSER to the subject enabling you to fill the frame that way
DOH!
So I had a bit of practice last night (excuse the shadows, I was unable to use the camera's flash as it was reflecting too much on the page!) here are the results...
No diopter, 22mm
+ 2 Diopter, 22mm
+ 4 Diopter, 22mm
And even more obvious how close I can get:
No Diopter, 10mm
+ 2 Diopter, 10mm
+ 4 Diopter, 10mm
This is basically allowing me to focus on soemthing about 4cm away from the end of the lens... By the time the camera is in it's housing that *should* mean I can almost touch a subject with the port and still focus.... Great news!... Only there is another problem to overcome first - for some reason I'm struggling to focus on subjects that close when underwater, now I have the diopters and the practise the next step is getting in the water and seeing if I can achieve the same results
Please note the image I used was a photo in Martin Edge's book: www.edgeunderwaterphotography.co.uk/pages/myBook
Friday 4 April 2008
Sylvia, the perfect model!
Thursday 3 April 2008
Cebu March 2008 with Martin Edge
Japanese Plane Wreck
Purple Anenome
The outrigger dive bouts as seen through Snell's window
The outrigger boats - look at the anchor line!
Long nosed Hawkfish
Goby on a whip coral
Green whip coral
Orangutan Crab
Pink Scorpianfish
Pipefish
Eastern Skunk Anenomefish
Green Featherstar
baby lionfish
Long nosed Hawkfish
Panda Clown Anenomefish
Absract Anenome
Black / red featherstar
As usual there is always something i can't find in the reference books! I *think* this could be an Imperator commensal shrimp although the colouring is very different to that which is in the book! Any ideas anyone?
Dusk dappled light
2 divers in the cave mouth
Again - not really sure but it's the same one as before, just with a lower sutter speed!
3 types of coral on a Dawn dive
Coral on a Dawn dive
Diver in the cave mouth
Western clown anenomefish?
Japanese plane wreck
Erm... coral!
Short hand commensal shrimp
Western clown anenomefish
Starfish
I spent a fantastic 10 days diving from Kasai Village Resort in Cebu (Philipines) with 14 other divers (mainly DSLR photographers) lead by Martin Edge.
We had a stunning house reef to dive on as well as up to 3 boat trips (on outriggers, large enough for up to 8 people comfotably) a day and our evenings were spent either in Workshops led by Martin or critiquing our photos taken that day.
The resort is quite small with I think c20 very nice double / twin rooms set around a pool and overlooking the house reef. There is a bar and restaurant on site along with the dive centre and well equiped dive shop.
I cannot begin to explain how much I learnt over the trip, from composition (which i thought I was ok at until we started discussing contrasting colours, accessability of subjects, leading lines, surface texture to mention but a few), working with models (and Sylvia (Martin's wife) and Amanda (Shannon Conway's wife), experienced models and fantastic spotters (and photographers!!) through to the think and consider system Martin talks about in his book. The critique sessions were brilliant and gave us a real opportunity to look at what we were producing followed by the opportunity to return to the same reef / part of the reef and improve on what we'd already done.
Down time was spent in the well stocked bar with yet more opportunity to talk about photography and get some great ideas from not only the other photographers in the group but also Shannon Conway, one of Martin's proteges who is a professional photographer in his own right! I met a fantastic group of people who all shared the same passion - perfect!
I can't wait for the next opportunity to go on one of these trips, Martin is an incredibly insightful and knowledgeable chap whose encouragement and eternal optimism of your own ability is to be commended! If you get the chance to go on one of these trips then I can highly recommend them, pretty much regardless of the location! (Although I did love Kasai!)
PS I have to admit not all of these photographs are fantastically brilliant technically but i had to include many of the ones i just really liked!
Monday 24 March 2008
The Hugyfot underwater housing system
I am currently using a Canon 400D in a Hugyfot housing, chosen mainly for it's size as most housing's were too large to allow me to use all the controls on the Canon. With no UK retailers for the system I have to import everything I need from Europe.
I have a range of lenses including a 100mm and 60mm Macro lenses, along with a 10-22mm wide angle and 10 - 17mm Tokina Fish eye.
Fortunately the Hugyfot port system means I don't need to buy new ports for every lens as the extension rings are all the same - small savings though!!
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